Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
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Posthumous portrait
Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
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Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
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The empire in 661, when it reached its greatest extent
The Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755–763) led to devastation and the decline of central authority during the latter half of the dynasty. Like the previous Sui dynasty, the Tang maintained a civil-service system by recruiting scholar-officials through standardised examinations and recommendations to office. The rise of regional military governors known as jiedushi during the 9th century undermined this civil order. The dynasty and central government went into decline by the latter half of the 9th century; agrarian rebellions resulted in mass population loss and displacement, widespread poverty, and further government dysfunction that ultimately ended the dynasty in 907. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han Contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A Western Han painted ceramic jar with raised reliefs of dragons, phoenixes, and taotie designs The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she can even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty, even if necessary, with the support of the courtiers, she would decide on his successor or his dismissal. Although such a challenge was raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.
Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
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Holotype skull shown from above (A), the right side (B), and below (C)
Xixiasaurus (/ˌʃiːʃiəˈsɔːrəs/) is a genus of troodontiddinosaur that lived during the Late CretaceousPeriod in what is now China. The only known specimen was discovered in Xixia County, Henan Province, in central China, and became the holotype of the new genus and speciesXixiasaurus henanensis in 2010. The names refer to the areas of discovery, and can be translated as "Henan Xixia lizard". The specimen consists of an almost complete skull (except for the hindmost portion), part of the lower jaw, and teeth, as well as a partial right forelimb.
Xixiasaurus is estimated to have been 1.5 metres (5 ft) long and to have weighed 8 kilograms (18 lb). As a troodontid, it would have been bird-like and lightly built, with grasping hands and an enlarged sickle-shaped claw on the second toe. Its skull was long, with a long, low snout that formed a tapering U-shape when seen from below. The frontal bone of the forehead was dome-like in side view, which indicates it had an enlarged braincase. It differed from other troodontids in that the front of the dentary bone of the lower jaw was down-turned. Unlike in most troodontids, the teeth of Xixiasaurus did not have serrations; instead, their carinae (front and back edges) were smooth and sharp. It was distinct among troodontids in having 22 teeth in each maxilla (in other genera the maxillary tooth count was either higher or lower). (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
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Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
...that Ming Dynasty general Gang Bingcastrated himself and placed his severed organs under Emperor Yongle's saddle to avoid being accused of sexual improprieties?
The Teochew cuisine and Hakka cuisine of Guangdong are considered their own styles. However, scholars may categorize Guangdong cuisine into three major groups based on the region's dialect: Cantonese, Hakka and Chaozhou cuisines. Neighboring Guangxi's cuisine is also considered separate despite eastern Guangxi being considered culturally Cantonese due to the presence of ethnic Zhuang influences in the rest of the province. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
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The 2010 Asian Games (2010年亚洲运动会), officially known as the XVI Asian Games (第十六届亚洲运动会) and also known as Guangzhou 2010 (广州2010), were a regional multi-sport event held from November 12 to 27, 2010 in Guangzhou, Guangdong, China (although several events commenced earlier on November 7, 2010). It was the second time China hosted the Asian Games, with the first one being Asian Games 1990 in Beijing.
Guangzhou's three neighboring cities, Dongguan, Foshan and Shanwei co-hosted the Games. PremierWen Jiabao opened the Games along the Pearl River in Haixinsha Island. A total of 53 venues were used to host the events. The design concept of the official logo of the 2010 Asian Games was based on the legend of the Guangzhou's Five Goats, representing the Five Goats as the Asian Games Torch. (Full article...)
Released in cinemas on 9 February 2002, the film earned over S$3.8 million, becoming the second-highest grossing Singaporean film. Its satirical take on the Singaporean education system and social attitudes in Singapore sparked public discussions and parliamentary debates that led to reforms in the education system. (Full article...)
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Mongol Conquest of Jurchen Jin
In the Siege of Kaifeng from 1232 to 1233, the Mongol Empire captured Kaifeng, the capital of the Jurchen-led Jin dynasty. The Mongol Empire and the Jin dynasty had been at war for nearly two decades, beginning in 1211 after the Jin dynasty refused the Mongol offer to submit as a vassal. Ögedei Khan sent two armies to besiege Kaifeng, one led by himself, and the other by his brother Tolui. Command of the forces, once they converged into a single army, was given to Subutai who led the siege. The Mongols arrived at the walls of Kaifeng on April 8, 1232.
The siege deprived the city of resources, and its residents were beset with famine and disease. Jin soldiers defended the city with fire lances and bombs of gunpowder, killing many Mongols and severely injuring others. The Jin dynasty tried to arrange a peace treaty, but the assassination of a Mongol diplomat foiled their efforts. The Emperor Aizong of Jin fled the city for the town of Caizhou. The city was placed under the command of General Cui Li, who executed the emperor's loyalists and promptly surrendered to the Mongols. The Mongols entered Kaifeng on May 29, 1233, and looted the city. The dynasty fell after the suicide of Aizong and the capture of Caizhou in 1234. (Full article...)
The station has 3 tracks (5 when Line 21 is complete), 1 island platform(2 when Line 21 is complete), and a side platform. Line 2 Trains heading to National Exhibition and Convention Center use the line 2 island platform and trains heading to Pudong Airport Terminal 1&2 use the side platform, while Line 21 uses another set of island platforms when built. (Full article...)
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The military of the Tang dynasty was staffed with a large population of Turkic soldiers, referred to as Tujue (突厥) in Chinese sources. Tang elites in northern China were familiar with Turkic culture, a factor that contributed to the empire's acceptance of Turkic recruits. The Emperor Taizong of Tang adopted the title of "Heavenly Khagan" and promoted a cosmopolitan empire. Turkic soldiers that served under the Tang dynasty originated from the Eastern Turkic Khaganate. It began with Taizong who sent his general Li Jing, eventually ended in defeating the Eastern Turks and capturing their leader Jiali Khan.
Taizong regularly recruited and promoted military officers of Turkic ancestry, whose steppe experience contributed to the western and northern expansion of the Tang empire. The Turkic general Ashina She'er participated in the Tang capture of the Karakhoja, Karasahr, and Kucha kingdoms in Xinjiang. The half-Turkic general An Lushan started a revolt that led to the decline of the Tang dynasty. (Full article...)
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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
In its formative years, the NCC became involved in the endeavors of Chinese nationalists. It sided with protesters in the May Thirtieth Incident and went as far as calling for the re-evaluation of "unequal treaties" China had with foreign powers. This angered foreign missionaries working in China. The NCC took an increasingly liberal theological stance, leading some foreign missionary organizations like the China Inland Mission and the Christian and Missionary Alliance to resign from its ranks. (Full article...)
Ye Qianyu (or Yeh Ch'ien-yü; 31 March 1907 – 5 May 1995) was a Chinese painter and pioneering manhua artist. In 1928, he cofounded Shanghai Manhua, one of the earliest and most influential manhua magazines, and created Mr. Wang, one of China's most famous comic strips.
Hu Die (Chinese: 胡蝶; Wade–Giles: Hu Tieh; 1907–08 — April 23, 1989), also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door. (Full article...)
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Map of Battle of Unsan on the night of 1 – 2 November 1950
Tsou was a strong advocate against academic fraud and pseudoscience, and led a public campaign against what he called "unhealthy practices" such as administrators' interference in scientific research. (Full article...)
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The 610 Office was a security agency in the People's Republic of China. Named for the date of its creation on June 10, 1999, it was established for the purpose of coordinating and implementing the persecution of Falun Gong. The 610 Office was the implementation arm of the Central Leading Group on Dealing with the Falun Gong (CLGDF), also known as the Central Leading Group on Dealing with Heretical Religions, a leading small group of the Chinese Communist Party (CCP). Because it was a CCP-led office with no formal legal mandate, it is sometimes described as an extralegal organisation.
The central 610 Office has traditionally been headed by a high-ranking member of the CCP Politburo Standing Committee, and frequently directed other state and party organs in the anti-Falun Gong campaign. It was closely associated with the powerful Central Political and Legal Affairs Commission of the CCP. Local 610 Offices were also established at provincial, district, municipal and neighborhood levels, and were estimated to number approximately 1,000 across the country. (Full article...)
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The 2019 Shanghai Masters was a professional non-ranking snooker tournament that took place at the Regal International East Asia Hotel in Shanghai, China from 9 to 15 September 2019. It was the 12th edition of the Shanghai Masters, which was first held in 2007. Ronnie O'Sullivan was the defending champion, having defeated Barry Hawkins 11–9 in the 2018 final, and also having won the tournament in 2017. O'Sullivan successfully defended his title for a second consecutive year, defeating Shaun Murphy 11–9 in the final. This was the third consecutive title for O'Sullivan in this tournament.
The prize fund was £751,000 with the winner receiving £200,000. The event was broadcast by Great Sports Channel, Superstars Online, Youku and Zhibo.tv in China, as well as NowTV in Hong Kong and Eurosport in Europe. (Full article...)
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Title page of a Song dynasty (c. 1100) edition of the I Ching
The I Ching or Yijing (Chinese: 易經, Mandarin:[î tɕíŋ]ⓘ), usually translated Book of Changes or Classic of Changes, is an ancient Chinese divination text that is among the oldest of the Chinese classics. The I Ching was originally a divination manual in the Western Zhou period (1000–750 BC). Over the course of the Warring States and early imperial periods (500–200 BC), it transformed into a cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BC, the I Ching was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought.[1] As a divination text, the I Ching is used for a Chinese form of cleromancy known as I Ching divination in which bundles of yarrow stalks are manipulated to produce sets of six apparently random numbers ranging from 6 to 9. Each of the 64 possible sets corresponds to a hexagram, which can be looked up in the I Ching. The hexagrams are arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching has been discussed and debated over the centuries. Many commentators have used the book symbolically, often to provide guidance for moral decision-making, as informed by Confucianism, Taoism and Buddhism. The hexagrams themselves have often acquired cosmological significance and been paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing. (Full article...)
Image 25Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 34Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 35Hair Ornament, China, c. 19th century (from Chinese culture)
Image 44Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 60Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 61Chinese Export—European Market, 18th century - Tea Caddy (lid) (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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